Now Magic Mast eliminated them all for us,” said Hua. In the past, it required VFX artists to spend time making roto mattes, which means extra manpower, time and costs. “The new Magic Mask feature of Resolve 17 empowered by its neural engine helped us create selections for persons or a specified part in an efficient way. Though still in its beta testing phase, Resolve 17’s new features played their roles in the making of “A Little Red Flower.” After that, the custom LUT was put into use for production including on set monitoring. Based on the DP’s creative work, we aimed for a filmic modern look by using a film emulation LUT and starting from there,” said Hua Cheng.Īfter testing various Kodak 2383/2393 Print Film LUTs, Homeboy decided on a LUT and then adjusted it to recover the colours that should have been there. “The story is set in the real world so the director wanted a natural look. After premiering on December 31, the film had grossed more than USD$123 million as of January 5 and is one of the world’s top grossing films.īefore production, Hua Cheng, colourist and owner of Homeboy, started working with the director and DP to set the look of the film.

Tumor!,” tells the touching story of two families battling cancer. Blackmagic Design has announced that the Chinese hit film “A Little Red Flower” was graded by Beijing-based post house Homeboy using Blackmagic Design’s latest DaVinci Resolve Studio 17 and DaVinci Resolve Advanced Panel.ĭirected by Han Yan, costarring Yi Yangqianxi and Liu Haocun, “A Little Red Flower,” the second installment of Han’s “Life Trilogy” and follow up to the 2015 comedy “Go Away Mr.

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